Tuesday, January 19, 2010

First Day of My Life


I just finished watching the series premiere of "Life Unexpected" which will be airing Monday nights on the CW at 9 p.m. (hopefully) for the next few months...not only did I like it, it made me tear up at the end and feel all warm and toasty inside...The promos keep calling it "Juno meets the Gilmore Girls."

The show centers around "Lux," a 15-year-old (almost 16, she insists!) trying to find her birth parents so she can get her emancipation papers signed and escape the horrors she has found living in foster care. Britt Robertson, the actress playing the spirited teenage girl, has the tricky job of balancing street smarts and world weary soul with a perkiness that keeps her from being a hardened downer...definitely "Juno" material:)

It is a testament to both the writers and actors that what might otherwise be a hokey show with too many convenient plot devices actually has a lot of heart and soul to it. Shiri Appleby and Kristoffer Polaha are quite convincing as two 30somethings who never really managed to grow up. "You both can't be parents, you both need parents!" Lux says to them at one point in the episode shortly after she has met them for the first time.

And the music selection is great, too...or at least the three songs featured in the first episode, one of them being the lovely and vulnerable "First Day of My Life" by Bright Eyes.

The New York Times reviewed it yesterday, though I don't think they liked it as much as I did:)

Here's the review:

Television Review | 'Life Unexpected'
Wise Teenager, Unpromising Parents
By MIKE HALE

The CW network, with its interchangeable casts and its New Mexico-size audiences (current population: around 2 million), is often dismissed as the kid’s table of prime time. It’s not a bad place to sit, though: with “Gossip Girl,” “The Vampire Diaries” and “Supernatural” representing 30 percent of its nighttime schedule, CW has as high a percentage of purely enjoyable programming as any broadcast network.

It’s too early to tell whether “Life Unexpected,” beginning Monday night, will increase that ratio. CW shows tend to walk a thin line between escapism and soap opera, and after its witty pilot the show spends Episodes 2 and 3 massaging the tear ducts, hard.

But there is the potential for something at least as good as “Gilmore Girls,” to which “Life Unexpected” will be compared. The film “Juno” is another reference point, as are earlier shows like “Party of Five” and “My So-Called Life,” though “Unexpected” at its best is lighter and jokier than those forerunners.

The pilot sets up the situation with record speed. In six and a half minutes of screen time, 15-year-old Lux (Britt Robertson), a product of a one-night stand who has spent her life bouncing around the foster-care system in Portland, Ore., tracks down her birth parents and figures them out. Foster care is “Scope-drinking moms and creepy dads that try to hit on me,” but Lux’s parents are unpromising in their own ways: her dad, Baze (Kristoffer Polaha), is an overgrown adolescent with no sense of responsibility, and her mom, Cate (Shiri Appleby), is a jittery commitment-phobe with no visible maternal instinct.

It shouldn’t matter, because all that Lux needs them to do is sign the paperwork for her emancipation hearing. But faster than you can say unlikely plot contrivance, she has been remanded into their shared custody, where, over the course of 13 episodes, she can move back and forth between rebellion and grudging respect.

The “Juno” comparison is double edged: Lux is the wise child, taking her life in her own hands. (“You can’t be parents,” she tells Cate and Baze, “you both need parents.”) But instead of facing an unexpected pregnancy she’s the product of one. She’s Juno’s baby grown up, if that baby’s life had gone haywire early on. Cate thought Lux would be adopted, but it didn’t happen; Baze never knew that she had been born.

Unconventional families and arrested development (“Some of us peak in high school,” Baze whines, expressing the fears of a generation) aren’t the freshest subjects. And with its plaintive pop music and standard-issue CW stars — Ms. Appleby could be the older sister of both Nina Dobrev from “The Vampire Diaries” and Mischa Barton from “The Beautiful Life” — “Life Unexpected” could pretty easily settle into the network’s formulas.

The first episode avoids that with sharp writing and appealing performances, particularly from Mr. Polaha. (He was the shop-teacher love object on the short-lived Judy Greer series “Miss Guided” two seasons ago.) Baze, who lives above the bar he rents from his father, sums up his life by saying, “My dad said do what I love, and I love to drink for free.”

The show has fun with Baze and his high school pals, and with the wary relationship between Cate and Baze, who fall back in lust as soon as Lux reunites them. It doesn’t quite know what to do with Lux, however, and Ms. Robertson has to spend too much time being either primly disapproving or anguished. The subsequent episodes try to introduce complications for her — street-kid friends on one side, scheming grandparents on the other — in contrived story lines that drag the show toward melodrama.

CW thinks enough of “Life Unexpected” to put it in the Monday night slot usually occupied by “Gossip Girl,” so it’s likely that we’ll get to see all 13 episodes. Whether we see more may depend on whether the writers can readjust the balance between humor and heartache.

LIFE UNEXPECTED

CW, Monday nights at 9, Eastern and Pacific times; 8, Central time.

Liz Tigelaar, Janet Leahy and Gary Fleder, executive producers. Produced by Mojo Films in association with CBS Television Studios and Warner Brothers Television.

WITH: Britt Robertson (Lux), Shiri Appleby (Cate Cassidy), Kristoffer Polaha (Nate Bazile, a k a Baze), Austin Basis (Math), Reggie Austin (Jamie) and Kerr Smith (Ryan Thomas).
What can you write about an album that breaks your heart and lifts it up at the same time? I had never heard of Abra Moore before I bought this CD a few years back. I took a chance after hearing "I Do" off a sampler CD from PASTE magazine.

Abra Moore's voice is hard to categorize but if I had to: I'd say she sounds a bit like Victoria Williams and Billie Holiday with the intimacy and innocence of Karen Carpenter's voice thrown in. The truth is, though, that Ms. Moore is foremost her own person. She writes her own lyrics, plays several instruments (including the drums) and isn't afraid to throw away the formulas of pop. (I read somewhere she was originally encouraged to be like Michelle Branch or one of Ms. Branch's many sound-a-likes; instead of going that route, she revamped the album she was working on and came out with one of the most dreamlike, heartwrenching CDs you will ever hear.)

The opening track "I Do" is a lush, positive song and gives comfort to those lonely feelings you get late at night. From the beginning notes to the lovely bridge, this song takes off and flies. No words can capture its beauty.

"No Fear," "Taking Chances" and "Melancholy Love" all have a slight edge to them which provides relative ease from the more heart-breaking moments on the album. These are the more happy, in-control songs.

"Family Affair" and "Pull Away" are perhaps the best songs I've heard on any album in the past ten years. They pull at your heart and won't let go and if you've just been going through some issues of your own, you better reach for those tissues. I dare you to listen to: "Don't take away the one love that matters./And I'll get well, you'll see. You're all I have, you're my family." and not lose it. It's not just the words, it's the way she exposes her whole self on the album, the way the simple lushness of the music reminds you of the days when harmony really MATTERED in a song.

I was in the mood to listen to this other day and discovered to my horror (and "horror" is the right word since I adore this album!) that I've somehow lost the cd I bought so long ago at Best Buy. Looks like I'm going to have re-order it since this is something you don't want to part with once you've heard it for the very first time!!
Everything Changed
...what would Renee's song be?...

SPOILERS below!!


"24" doesn't normally feature songs, just an overwhelmingly loud score that practically hits you over the head with dun-dun-dah sounds and a John Williams atmosphere...but IF they did feature tracks by gravelly indie singers or promising up and comers? What would Agent Renee Walker's song be?

Neither!

After last night's two-parter season premiere finished I could only think of one artist (Marilyn Manson...see below) who could do justice to Agent Walker's incredibly bizarre burst of nastiness when she took a saw to the man with the electronic monitoring bracelet. She seemed to enjoy doing it just a tad too much...is this a sign of further unhinging to come? (Walker apparently had a nervous breakdown between last season and this one and may have tried to kill herself, if we go by the angry red scar we saw briefly on her wrist last night).

Annie Wersching, the actress who plays Walker, has done a terrific job of having her character go from innocent ingenue (last season) to damaged tough gal (just in her first hour back!) Supposedly this is what happens to anyone who hangs out with Jack Bauer for too long:)

Sweet Dreams (Are Made Of This)


24: Season Seven

Monday, January 18, 2010

Foolish Beat (LP Version)

Okay, I'm a little bit worried...I just added the song "Foolish Beat" to my MP3 player. Maybe it's because I have a slight fever and am resting up so I can be well enough to go to work tomorrow?

Seriously, though, I think it's one of Debbie Gibson's best songs and perfectly conjures up the pain and vulnerability of young love...it really spoke to me when I first heard it over 20 years ago and I was in high school.

Now, when I would expect it to sound so very dated, it still has a freshness about it that say a Tiffany song wouldn't have...

or maybe it's just my fever?

Speaking of Debbie Gibson, did you catch her in that recent SyFy movie that was apparently one of the most-viewed movie trailers of the year?

Sunday, January 17, 2010

The Twist (Original Hit Recordings)


One of my favorite oldies ever (because you just can't help but feel incredibly good and want to dance!) is "The Twist" by Chubby Checker (it practically goes without saying, but you never know.) According to Rolling Stone magazine the song hit the charts twice (first in 1960, then again in '62.) It had been a B side for Hank Ballard and the Midnighters in 1958 and it was only at Dick Clark's urging that Checker (a former chicken plucker?) covered it.

"Going crazy is what I was looking for--where the music is so good you lose control," Chubby once said and he certainly makes those of us who adore the song feel that way...