Wednesday, October 29, 2014


"Automat" by Edward Hopper



For years I had this recurring dream about a woman at a diner. I only stopped having the dream after I wrote it down and then used it as part of a bigger story I was writing...a 500 page story (mostly about a woman with bipolar disorder who may or may not be all she says she is) that I honestly don't know what to do with because I have no clue if it's actually readable and if it takes away from (or is disrespectful to) the issue of depression by having a science fiction element.

It's not so much the bigger picture I'm thinking of right now as how I sometimes wonder if this is more memory than dream...minus the time travel and references to the ongoing plot of the novel I tried to write. I sometimes think (because sometimes my family would go to a diner in Baltimore after we'd been to the movies and because the dream seemed so real) that I actually did see a woman like this in a diner once and that the memory of how sad she was stayed with me.

I don't know if this is normal or not, but sometimes I can't remember things from my childhood and I wonder if some things I do remember are more dream than memory. This is just one link I found (among many) where people wonder if you can get memories and dreams mixed up:

http://ask.metafilter.com/259662/Dream

set in 1980

What would I say now that I saw her? And how I had gotten here, anyway? This kind of thing never happened in real life, therefore, this couldn’t be real life.

She had told me all kinds of mad secrets further up in the timeline, but back then I hadn’t believed her. I had wanted to, but her disease had made it too easy to dismiss as fantasy. Time travel outside of science fiction? Impossible!

“Babe” played in the diner and I couldn’t help but laugh inside. This song had begun my melodramatic fascination with all things love…and not two tables over was the love of my life, Diana McAdams.

Even from this distance I could see her bloodshot eyes, her lack of awareness of her surroundings and the claustrophobic air of defeat all around her. She sat by herself. My heart broke.

I forgot that I was trapped in the body of ten-year-old me and that I had no reason for knowing her, that I wasn’t even sure how I knew this twentysomething downtrodden woman was actually Diana.

Getting up from our table, I also forgot that I was still accountable to adults in this world, namely, my own parents.

“Where are you going?” My dad asked, not unpleasantly.

“I’m going to ask that lady for ketch-up.” And before anyone could stop me I stood beside her.

It took a few seconds for her to become aware of me. “Yes?” Her voice sounded harsh and irritated, but when she turned and saw how young I was (or so I imagined) something in her eyes softened.

“Can I borrow your ketch-up?” I sounded much younger than most ten year olds did, but my tone was confident and knowing.

She blinked, hesitated, then leaned over to get it so she could hand it to me. “Here you go, kid.”

I smiled at her and her use of “kid,” her Southern drawl (much stronger in this now) at odds with the word.

“Thank you,” I said, then added in a whisper, “Someday, things are going to be a lot better for you. I promise. You are going to be cherished and loved very much.”

And before she could say anything I slipped back to the table, where I didn’t even get to explain my actions before everything started to fade.

Tuesday, October 28, 2014


 

"Every time I saw her, I wanted to keep seeing her. I wanted to keep talking to her about anything and everything, wanted to reach out and touch her for any reason. Just the feel of her arm under my hand was enough to ease my craving for another day. But I wanted more. I needed more. I wanted her to feel the same way."--Forget Me Not,  L.T. Smith


I honestly don't know how to do Forget Me Not justice. Not only is it so beautifully written and emotionally deep I struggle for words to capture it all adequately, the story's voice is so personal, so openly vulnerable I felt almost as I should look away while reading.

It takes a brave and very talented writer to handle such painful and delicate topics as Alzheimer's and romantic love, especially one who puts them in the same story. But it's precisely because main character Cathy Turner has faced so much, been such a good daughter, never once thinking of herself, that she deserves to find the happiness that has been shut out of her life for so long.

L.T. Smith doesn't just understand what true love is, she understands how much wanting to find it with someone else is a physical ache, not of the body, but of the heart and the soul. She understands the self-doubting, hurting woman who, even though she thinks she doesn't deserve it, most definitely does deserve love.

Her writing is lovely, endearing and real and that's not just rare in lesbian fiction, it's rare in fiction, period. Her trademark charming humor ("I could only hope that 'bedraggled' had become chic.") is here, but it's quieter and infused with the sadness that comes from grief and seeing a loved one go through something no one should ever have to face.

The kind of writer who creates women you wish you could meet in  real life is a writer whose next titles you breathlessly await.
.
American Horror Story: Coven


(may contain spoilers)

Having recently finished re-watching American Horror Story: Coven I found it much more interesting than I did the first time. Instead of seeing the scary things or the unbearably hard-to-watch cruel acts committed by Madame Delphine LaLaurie (Kathy Bates) or even the character development (Sarah Paulson's Cordelia sure grows throughout the season) I found myself focusing on the mother/daughter dynamics between Fiona Goode (played to perfection by Jessica Lange) and her daughter Cordelia.

Their love/hate relationship may be eerily familiar to many women watching the show. Early on, we learn things have never been especially good between them. "Don't make me drop a house on you," Fiona says to her daughter as she walks out the door. She says it lightly (or so it seems) but the truth is she has (and will continue to) often been an unkind mother, dramatic at best and unbelievably manipulative at worst.

Anyone who ever had a mother who is a force to be reckoned with when mad may see some of her mother in Fiona, minus the witchcraft, of course. Cordelia is no angel, either, though, saying: "Do us all a favor, Mother, and die before Thanksgiving." This is after her mother has just told her her cancer is fatal.

At one point, during one of their many sparrings (the chemistry between Lange and Paulson is just amazing) Fiona says what so many of us have heard in real life. That she may not be the mother Cordelia wanted, but she's the one she got and she did the best she could.

As spoiled and self-centered and decadent as Fiona is, this moment rings true and I think it's these painfully true moments that earned her an Emmy this past August. (Not to mention, who else but Lange could do an eerie coke-fueled dance to Iron Butterfly's ‘In-A-Gadda-Da-Vida" and make you feel as if you're invading a real person's privacy?)
Ironically, one of the rare times the two women find peace with each other is the morning after Cordelia has tried to trick her mother into killing herself. Fiona, perfectly serious, tells her daughter she's never been more proud of her for what she's willing to do for the coven. Cordelia, in return, says she would have tried to kill her mother sooner if she'd known she'd win her approval. Considering the dark humor of this show, it's all very fitting. 

You don't have to be witches (as Fiona and Cordelia are) or even find the scene funny to get their relationship. Daughters are often forever seeking their mother's approval (longing for them to be proud of them) and mothers, even ones like Fiona, hoping they did the best they were capable of...for me, it's this and not the supernatural elements of the show that make the third season so compelling.












I'm not going to waste another day worrying about things I can't control or liking people I shouldn't (though unliking them is simply not possible.) 

Maybe it won't last long, but I'm going to hold on to the positive vibes I feel right now, thanks to Billy Idol's "Rebel Yell" and some iced coffee.

If you're not a morning person (some of us are most definitely  not) music and coffee are some things that can help power start your day.

Here are some more ideas:

Monday, October 27, 2014



Short story


Editorial Discretion

The romance and emotions are amazing, but it’s like the person writing these has never had sex before.”
I stared at my agent, the one I had searched high and low for in trying to get the best, as well as someone who would be GBLT-fiendly. Everyone I asked and every bit of research suggested she was the ultimate professional.
She stared back, unruffled and somehow knowing. “It wouldn’t hurt to draw from your own personal experience, even if you swear this character is nothing like you.”
Personal experience, huh?” I tried to clear my throat by laughing, but my editor did not look amused. If only she knew.
Suddenly, her dark grey eyes narrowed and a light dawned in them or so my paranoid intution screamed silently.
Oh my God!” She said, sounding like a teenage girl. “This whole never had sex before is your personal experience, isn’t it?” She couldn’t have sounded more horrifed if I had just disclosed I was a serial killer.
I mumbled something or other and looked away. We hardly knew each other well enough for this kind of conversation. We had talked more than usual in person this past year, but most of our communication had always been by texting or email.
You’re the girl in your stories, the virgin who wants love and sex and understanding then sex more than anything else and finally finds it all? No wonder those parts read so painfully real.” For a flicker of a second, her gaze seemed to soften. “Oh my.”
I blushed so bad my face felt on fire. “I’d rather not talk about it.”
But if it’s affecting your work, I think we do need to talk about it.”
Talking about it isn’t going to change my background. I’ll just rework the scenes, use my imagination better and write until I get it better.”
I don’t think that’s going to be enough.” She said, a weird look coming over face, as she scrutizined me way beyond my comfort level.
Well, I’m certainly not going to go the other route.”
She looked slightly amused. “And what route would that be?” She was egging me on, she had to be.
I’m not going to spell it out.” I paused. “It’s too embarrassing.”
Oh, I don’t know about that. Personally, I think I’d like to see you squirm a bit.”
At that I stood up in a huff, proving myself to be a stuffy old virgin, but not caring because she was starting to infuriate me. Subconsciously, though, I might have been replacing the nerve she’d hit with anger. Deep inside, I was squirming over her use of…”squirming.” She was making fun of me when I secretly hoped she’d mean it more suggestively.
Miranda stopped laughing when she saw I was upset. She actually seemed to be sorry and said so.
That’s alright. I shouldn’t take things so seriously.” I gathered my papers together, though, and pretended to have a huge interest in my briefcase.
Holly, I am sorry. I am.” Her voice sounded shockingly gentle and she cautiously reached out her right hand to touch my shoulder. “I shouldn’t be so insensitive to your plight.”
My jaw dropped. She just kept the insults coming, didn’t she? “It’s not a plight. Unlike my orientation, my virginity is something I choose.”
Any why is that?”
I don’t know why, but I found myself wanting to open up to her and her change of heart. She sounded like she wanted to know, like she cared. I plopped down in my chair. “You’ll just laugh.” I whispered.
Having read your stories, I have some idea. But surely there’s more to it than love and romance.”
You’ll laugh.” I insisted.
Wow, I really do come across as a dragon, don’t I?”
I wouldn’t say dragon.” I hedged. “More like ice queen who’s never had trouble getting anyone she wanted. Some of us don’t know what that’s like.”
Is that how you see your situation?” I couldn’t get over her switch to kind and gentle. It made me want to cry.
I don’t think that I’m an ice queen. Uptight, yes, but-“
No, Holly.” She knew I knew what she meant. “The other thing. Do you see your virginity as something no one wants?”

I swallowed hard, wondering where my outrage was…that she was asking me this, that she got right to the heart of the matter when she didn’t even know me. Did she moonlight as a therapist in her spare time?
I didn’t want to answer, knew I shouldn’t if I wanted to hold on to any shred of dignity, but I nodded. “Yes.” My voice came out raspy and broken.
She got up from behind her desk and came over to sit next to me, taking my hands in hers. “Oh dear girl, I’m so sorry I’ve been cavalier about all this. I just didn’t think anyone like you still existed. It’s easy to joke at what you think is just a fairy tale.”
A fairy tale?” I didn’t understand.
It may seem to you that you’ve been thrown to the wolves, but someday someone is going to love you very much and she’ll understand and want what you have to offer. You’ll be someone’s fairy tale come true.”
I rolled my eyes at her. “I’ve heard that before…from the women who didn’t want me or understand.”
Well, those women are just the ones who aren’t right for you.” She leaned forward and kissed me on the cheek. “Now why don’t we look at what we can do to jazz up the sex scenes up some on my computer. I’ll help you fill in the holes.”




My phone rang early the next afternoon as I sat at my computer, in the midst of the worst writer’s block I’d ever known. Not so much because I didn’t have anything to say, but because I had too much…so maybe it was more like writer’s flood.
I picked up the phone very reluctantly.
Hello?”
Miranda’s sultry, commanding voice greeted my ears and I shivered slightly, though I had no clue why.
Holly, I have some news that I hope is good for both of us.”
You do?”
Well, before I say anything about the news, I want you to know I have a reason for it, a reason I hope you’ll like…or at least consider.” She paused. “I’m no longer your agent.”

What?” I said it louder than I meant, but I was shocked and disappointed. She was, after all, the best in the business.
Your new agent’s just as good as me, if not better, and he’ll take very good care of you.”
But, Miranda, I-“
I like you, Holly. I know I haven’t always led you to believe that, that I’ve been tough on you, but I like you.”
I like you, too, Miranda.”
No, Holly, I _like_ you. I’ve been as professional as possible about it, but yesterday I could tell I was slipping and you having confirmed what I’d begun to suspect only made me like you more.”
I don’t understand.” I didn’t and I knew it only made more that much more idiotic.
She laughed, but it was a warm, kind sound and I felt a lump rise to my throat. “My dear girl, I can’t be your agent any more because I want to ask you out.”
You do?”
She laughed again. “Yes. I do. Is that so hard to believe?”
I couldn’t speak for a second. I had never entertained for one second that Miranda might like me. Assuming she was straight and completely off limits, I had been very successful in shutting down my own attraction to her. “Actually, it is.”
Would you like to meet for coffee so I can convince you in person?” Never had she sounded so vulnerable and open.
Today?”
As soon as you can meet me, if that’s alright.”
Why don’t you just come here now? I can make us a snack and put a pot of coffee on. Unless-“
No!” Her emphatic exclamation made me smile. “That would be fine.”
Good.”
Good.” Again, I smiled at her nervousness. Who would have ever thought Miranda Hilton could get so rattled?



When she knocked on my door and I opened it. I felt incredibly shy and speechless. I just gaped at her, knowing I must look like a fish, but not able to help it.
Can I come in?” She asked quietly.
In the short time I’d had between hanging up and her arrival, the thought had crossed my mind that she had her own purposes for this.
I nodded, then spoke up. “But if you’re doing this just to help with my story, I’d rather you just tell me now.”
She blinked. “What? Of course not! Of course not. I. Like. You. Can I come in so we can talk about it?”
Sure. Gee, where are my manners?” I gestured her in.



Despite the differences in our experiences, I can’t help but be absolutely charmed by your take on love and sex.”
Don’t you mean amused?”
We were sitting in my living room and neither of us had touched the coffee and cookies I had set out.
Her eyes widened with what seemed like hurt. “Amused?” She paused, then added in a very quiet voice: “No. Not at all. Charmed and, may I add, quite smitten.”
By someone like me?” I laughed. “Really?”
There was no doubt now I’d hurt Miranda’s feelings. “Yes, by someone like you. Do you not think I’m capable of genuine emotion, of liking someone kind and sweet and smart like you?”
What I think is not meant to reflect on you, honest.” I paused. “You have to understand…most women run far, far away when I share that about myself. And you…well, you…”

“Yes?” She quirked an eyebrow.
You’re too good for someone like me.”
I could say the same thing about you. I can say the same thing, only more. You are definitely too good for me.”
And why do you think that?”
She looked away for a second. I couldn’t remember her ever evading a situation. “I’ve not always been a good person. I’ve not always been kind to to the women with whom I’ve been.”
And I’ve never been with any woman. Which of us is the sadder case?” I tried to soften my cynicism with a laugh, but failed miserably.
Why are you so hard on yourself about being a virgin?” She asked it matter of factly, no judgement or disdain in her voice at all. “It’s a wonderful gift for whomever’s lucky enough to receive it.”
I know all the advice columns say it’s not good to admit how lonely you are, that it reeks of desperation and scares people away, but that’s what I am. And I didn’t feel this way or try and date so much until…”
Until?”
Until I met you.”
Miranda blinked. “I don’t understand.”
Have you ever been at that stage of your life where you’ve just managed to convince yourself you don’t need another person to be happy and then you meet someone and you know right away you’re going to like her, only there’s no point in all that because she’s straight and already has someone and could never like you back that way?” I had been looking down at my hands, but when I turned my face up to meet hers she was staring at me.
Yes.” She whispered. “I have. Are you…are you saying you felt that way when you met me? Or am I misreading the situation?”
Of course I’m talking about you, Miranda. Jeez, I thought I was the one with the confidence problem. You’re that person. You’re the person that makes everyone else seem dull, that makes going on as if everything is still normal almost impossible.”
Holly, I’m not straight. And I’m single. And I like you. Can’t we start with that?”
But…” I trailed off, struggling for the right words, for any words.
But what?” she asked gently as she got up and moved carefully next to me, as if I were something she could startle easily.
Why me? You could have anyone in the world, why me?”
Why you?” Miranda leaned in close, her right hand carressing my cheek as she grew ever near. “Because you are you. Because you’re just what I’m lookng for.” And when her lips were on mine I forgot everything else. Because she was what I was looking for too.


Saturday, October 25, 2014

I ordered The Invisible Orientation through my local library and it just arrived. This book is so much more than I thought it would be and so amazingly helpful.

It is also far more complex and delves into all kinds of areas I never thought of before.

For one thing, I would never have imagined asexual people faced so much judgement. Or that many people automatically assume asexual people have a past of sexual abuse (absolutely not true.)

some of the  misconceptions about asexuality...
What is wrong with our culture that we must sexualize so many things? That love without sex is seen as somehow problematic or "freaky," but sex without love is okay?
 
 
At the risk (okay, "risk" is probably too understated here) of over-sharing, I don't think it's exaggerating to say Julie Decker's book is a Godsend.
 
While I don't believe in pigeonholing or only feeling validated only after someone else validates you, I feel some kind of peace in knowing there is such a state as being asexual and lesbian...in that a lesbian can be romantically attracted, but not sexually, to another woman.
 
It doesn't necessarily make anything easier, but it is still nice to feel less alone. When I typed "asexual lesbian" in Google, I got tons of search results.
 
And, just as being a virgin doesn't make a person any less gay than it would a straight virgin less straight, asexual people shouldn't be denied their orientation just because they've never had sex...

For such a short length (184 pages before the "resources" sections begin), there is a lot covered and lots more to read. One of the best sites listed is this one:

http://www.asexuality.org/en/

And articles like this one are referenced:

http://gnovisjournal.org/2011/11/21/lily-hughes-journal/

For a long time, the story goes, we supported a sexual regime, and we continue to be dominated by it even today (Foucault 3). Sexuality manifests itself in discourse as desire. A constant thirst that can never be quenched, sex is simultaneously everywhere and nowhere. Whether through condemnation or glorification, sexuality protrudes into every crack and crevasse of society. It disguises itself as a secret or, even more cunningly, as a tool for resistance, designed to revolt against sublime virginity. Sex, however, is only desire—a concept that holds no more truth than God or reason. Yet, just as religion builds unseen structures to order society, so too does sexuality. Through desire, sexuality orders a world in which its imagined existence controls and contorts the behaviour of its inhabitants. What, then, is sexuality without desire? Surely such a thing could not exist. To remove desire from sex would be to remove sexuality, and sexuality cannot be removed because it refuses to be located, operating only at an invisible level. However, whether through smokescreens and mirrors or some biological hiccup, the impossible has happened....Read more at the link above. ^
 

Friday, October 24, 2014

Friday night music...




Ever since I first heard "A Little Respect" on the radio more than 25 years ago, I've loved Erasure. Their new album is really quite good. I'll let someone else say it better :)

Review by     (as it appears on allmusic.com):               

Following a holiday album (2013's Snow Globe) with this "return to form" album means veteran duo Erasure are now on the cliched career revival path for aging pop stars, but maybe it's just by chance. Make that "likely," as The Violet Flame gets right down to dancey, inspired business on its opening "Dead of Night," a track that pumps with the beat of any given single off the duo's great 1989 album Wild!. Classic lyrics from Andy Bell speak to the morality play that club night can be ("Too many times you're forgiven/Now you cry like you're the victim") then the chorus is like a pair of bright red cha-cha heels (a joyful stuttering of "D-d-d-dead of night") that won't be ignored. If hearing Bell in his Maleficent costume is a decadent kind of delicious, he's still an excellent Sleeping Beauty as well, as the pumping "Paradise" welcomes a new soul mate with open arms and open heart. Synth man Vince Clarke is simpatico in these back-to-the-future surroundings, as the great "Be the One" sounds like he plundered the computer and found some early sketches of Yaz's "Only You." while "Under the Wave" could be seamlessly mixed with all the minimal bleeping and blooping on Depeche Mode's debut album Speak & Spell, also known as Clarke's last hurrah with the band. The big anthem this time out is "Elevation," a cut with the simplicity of Robin S's "Show Me Love" and lyrics preaching freedom to the dancing masses ("It makes you kinda wonder, what are we supposed to do/When the fate of many, is guided by the hand of few/Who-o-oa."), then there's the closing "Stayed a Little Late Last Night" and the heart-breaking "Smoke and Mirrors," both serving the roles of a soul-filling number that sticks to the bones. With all the elements in place, the late-era The Violet Flame sits on the top shelf of Erasure albums, and considering all the greatness in the back catalog, that's no easy task.

One of the prettiest tracks off the album is called "Sacred" :


We close our eyes and fantasise


To see what dreams will come alive

Our created energy runs through

 

When we connect our consciousness

Make our love a guiding light

And I am there in every part of you

 

Never feel that you're alone

Hold on tight and I'll be strong

In spite of all the things we've done

Our love is all

 

 Sacred

 Sacred

 

 We pray for love and deeper meaning

 Holding our emotions in

 Would only keep us prisoners inside

 We let our minds and hearts release us

 Pure intention sets us free

 And there is nowhere left for us to hide

 

 Never feel that you're alone

 Hold on tight and I'll be strong

 In spite of all the things we've done

 Our love is all

 

 Sacred like a thousand stars

 Sacred when I'm in your arms

 Oh you keep me safe from harm

 Our love is all

 

 This is all we ever needed

 all we ever needed

 

 Sacred


 
Speaking of pretty music, one of the most sincere and touching songs ever recorded surely has to be "You Are So Beautiful" as performed by Joe Cocker (Billy Preston and Beach Boys' Dennis Wilson actually wrote it):

from etsy.com
"Featuring a brilliantly slowed-down arrangement courtesy of producer Jim Price, Preston's 'You Are So Beautiful' became this impossibly gorgeous exploration of love's fragility in Cocker's hands. Every crack in his voice spiders up toward another underlying doubt. In a twist, Dennis Wilson of the Beach Boys later claimed co-authorship of the song."

Read More: Top 10 Joe Cocker Songs | http://ultimateclassicrock.com/joe-cocker-songs/?trackback=tsmclip


 

Thursday, October 23, 2014



                                                                
I can open jars and take care of spiders just fine, but the one thing I do mind about being single is waking up after a nightmare and not being able (or wanting) to go back to sleep because of the fear and loneliness that seems to sweep through the room. When it's really bad I reach out for one of the stuffed animals that sits on the big wicker chair next to my bed.

Since I've been doing a lot of this lately, I wondered if it's normal to hug a teddy bear so late in the game. When I typed in Google "is it normal to still sleep with a teddy bear?" I actually got lots of reassuring results.

These are just a few of the things I discovered:


*Maybe teddy bears are not typically high on the list when it comes to identifying strategies that adults use in coping with life’s stressors. By the time we have reached adulthood, most of us (except perhaps me) have traded in our stuffed animals for more age-appropriate items that we have chosen to comfort us. But whatever we have chosen — and almost all of us have them — these devices serve to offer us solace in times of distress.--from Psychology Today

*This comment made me feel better on gurl.com:

I love to snuggle up after picking up my kids at school with an orange bear named Berry, a Jellycat “Black and Cream Puppy” named Spots, and a blanket I crocheted when I was 7. Back in the day, we learned to crochet at a young age. (If anyone here is as old as I am- I was born in 1966- then you know what I’m talking about!)


A teddy bear (obviously) can't ever whisper words of comfort or hug back, but sometimes having something cuddly to hold on to is almost enough.







 
Jessica Lange as Elsa Mars on American Horror Story: Freak Show
Jessica Lange singing Lana Del Rey's "Gods and Monsters" is about as good as it gets right now. It's not so much that she's a good singer as that she's a mesmerizing one and if anyone else besides Lana is qualified to get the mystical moodiness of the song down it's definitely Jessica Lange as Elsa Mars.

Her normally jaded and suspicious character is so hopeful it's not too late for one more chance at being a fabulously famous entertainer she's all too ready to believe anyone who will tell her there's still time. Elsa's desperation fuels her to hire a fake fortune teller who sees "applause and a man with fierce eyes" in her future.

Each season so far, Jessica has portrayed a completely different woman and it's her superb stage presence, not her singing, that has made both songs ("Life On Mars" from the first episode of "Freak Show" and now "Gods and Monsters") unforgettable.

The actress has said this is her last year of "American Horror Story" and that she will soon be retiring. The show, which reboots each season, will need a strong presence to replace her...Anjelica Huston comes to mind. I think she'd be awesome.

Jessica Lange appears in the November issue of Elle as part of their "Women In Hollywood" issue


Sunday, October 19, 2014

Books and Cash on Sunday...



from Uncut magazine...
Anonymous...as seen on Facebook
 

Johnny Cash is about as far from David Bowie as you can get. Even when he ventured into "out there" territory (covering Depeche Mode on his 2002 album, American IV, The Man Comes Around), he made his version the way only he could:

(as quoted in Mojo October 2013) "I heard that {"Personal Jesus"} as a gospel song. And if you think of it as a gospel song, it works really well. We didn't have any major disagreement over that song, I just heard that a couple of people had recorded it, the writer wanted me to try it, and I did, and I loved it. And I went for it."


Some days, music isn't just an interest or a passion, it's a necessity. To go from a sad day to one where you're glad to be alive can be due, in a large part, to music and books. Maybe it's warped to think this way, but when you sometimes find yourself unsure, even afraid, of people music and books take on lives of their own...
 
I find a calming strength in Johnny Cash's voice that I really need today.
 
from Rolling Stone:
 
Born February 26th, 1932 (died September 12th, 2003)
Key Tracks "Ring of Fire," "I Walk the Line," "Folsom Prison Blues"
Influenced Bob Dylan, Merle Haggard, Steve Earle

Johnny cash "sounds like he's at the edge of the fire," Bob Dylan wrote in Chronicles. "Johnny's voice was so big, it made the world grow small." The Man in Black's rolling, stentorian baritone is one of the defining voices in American music, from his earliest singles for Sun Records through his commercial prime in the Sixties and Seventies to his Nineties rebirth. He approached novelty songs such as "A Boy Named Sue" and "One Piece at a Time" as seriously as he did gospel music. "I'd been hearing 'Bridge Over Troubled Water' my whole life, but when I heard Johnny sing it, it dawned on me what it was about," says his collaborator Rick Rubin. "It took on a whole new resonance and meaning. He said the words in a way that you really trusted them."


Read more: http://www.rollingstone.com/music/lists/100-greatest-singers-of-all-time-19691231/johnny-cash-20101202#ixzz3GcP4zraA




Saturday, October 18, 2014

Saturday night music


Some people come home, put their things away, get comfortable and then pour themselves a drink...others change into their pajamas and put on an appropriate record.

Tonight, I've been listening to Station to Station*

 
and it's not that hard to believe, especially when you really listen to the whole album, that the man spent the same year he recorded this doing coke and living pretty much on a diet of peppers and milk.
 
I love David Bowie's music a lot, even if I'm not always sure about the man himself. (There are times I wonder how he's still alive given how many drugs he did in the 70s.)
 
He's, thankfully, not so reliant on narcotics for inspiration these days and has done some of his best stuff in years. The Next Day, released in 2013, was terrific.
 
Right now, I'm reading The Man Who Sold The World to find out more about albums such as Heroes, Hunky Dory, Low, Station to Station and Young Americans.
 
There is a lot of neat stuff about songs from each album, some of my favorite snippets are about "Life On Mars." :
 
It was an epic journey from the single piano note that opened the song to the climax of Mick Ronson's gargantuan orchestral arrangement...Bowie's vocal--also a first take, according to producer Ken Scott--was equal to the majesty of the arrangement, as he hit a high B flat at the end of the chorus and held it for three whole bars. The passion of that climax contrasted with the acerbic, almost nasal tone of the verse...The clash of cynical despair and passionate commitment was almost shocking--not least for what it revealed about how Bowie saw his own role as a star in the making, at the end of this remarkable performance of a deeply unsettling song.
 
Author Peter Doggett considers Hunky Dory Bowie's most commercial album of all his career and feels it could have taken the singer to Beatlesque heights. I love the book's focus on individual recordings.


   
* Review by from allmusic :              

 

Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of styles. Everything from epic ballads and disco to synthesized avant pop is present on Station to Station, but what ties it together is Bowie's cocaine-induced paranoia and detached musical persona. At its heart, Station to Station is an avant-garde art-rock album, most explicitly on "TVC 15" and the epic sprawl of the title track, but also on the cool crooning of "Wild Is the Wind" and "Word on a Wing," as well as the disco stylings of "Golden Years." It's not an easy album to warm to, but its epic structure and clinical sound were an impressive, individualistic achievement, as well as a style that would prove enormously influential on post-punk.

       

For some gentle unwinding on a late Saturday night, you might want to try this...

The cover of Bruce Springsteen's "I'm On Fire" is beautiful and transcendent. It's off of Acid Pauli's Get Lost V and sounds as if Elvis Presley and Chris Isaak somehow merged together to record this. It's just a stunning track.



Another gorgeous song is "Weightlighting" off the album of the same name by Trashcan Sinatras. More than aptly titled, it takes you outside of yourself as if it were inducing some kind of musical astral projection.




weightlifting
i discover the wheel and watch the buildings go by
you talk a little soft, turn off the radio
i just want to hear all the past times
the rushed hours, the endless lives
don’t become a burden
say the word and be free
you will find a great weight lifting
easing your mind, a great weight lifting
just leave it behind, a great weight lifting
and you will find a great weight lifting
it’s been a lonely winter hibernating away
you need a little sunlight on that face
how long can you stay in the darkness?
dust round the empty nest?
you could make you way out
if you lay down the load
you will find a great weight lifting
easing your mind, a great weight lifting
leave it behind, a great weight lifting
you will find a great weight lifting
just leave it behind, a great weight lifting
and you will find a great weight lifting