It's not phoniness I'm talking about (I really do like people) but trying to be outgoing when you're truly (no matter whether anyone would believe it or not) very shy.
I'm doing laundry (that's not so peaceful since the agitator continues to cause problems and I have to run and fix it more than once in a cycle) and listening to Triumvirate by Lewis and Clarke, the moniker for Lou Rogai, who sounds like what you would get if you mixed Nick Cave with the Nationals. It's quite a lovely album to have playing on a cold afternoon.
One song, in particular, grabs hard at your heart and fills your soul with the voice of someone who would understand your pain.
An article from Huffington Post captures the album quite well:
Its ambition and scope make Triumvirate somewhat difficult to classify, but alas, one must try: If a steel worker from Pittsburgh had a child with an organic vegetable farmer from Western Oregon and that child, after being trained in both vocations, was sent to a liberal arts school to study classical literature and music theory, Triumvirate, 15 years later, might be the album she/he would create. This is not Rogai's story, but it speaks to the aesthetic of his new record. Amid the burnished strings and sumptuous piano lines there is a gritty, agrarian ethic pulsing through Triumvirate. One feels the reverence for landscape and labor at its core; its beauty is not effortless, it is workmanlike, earned like a harvest wrested from black soil. In the sparse and stirring "The Reach and the Grasp" Rogai sings in a pleasantly rusted, undulant tenor:
The hills have hearts in lonely dawn/And we're listening to its pulse/In a cadence of stormy march/We count the miles between the claps/The lines are etched into the shell/It's the genius of design/There's a feather frozen still in the waterfall/Will you take it as a sign?For Rogai, there is an order and instruction to be found in nature if one has the poise and patience to observe it. The origin of Rogai's fondness for landscape isn't hard to pinpoint, he lives on the fringes of a National Park in Delaware Water Gap, Pennsylvania where he swims, hikes, records and runs his label. His music is informed by the grandeur he wakes to each morning--rivers and mountains, the skyward arcs of hawks and falcons--all the splendor we can lose sight of when we're suffering. Rogai suffers less now. He lives with his son and fiancée, and his love for them was pronounced in the two discussions we had in preparation for this piece. In both phone calls, Rogai effusively updated me on his son's growth in school, music and life. Today Rogai is clean-shaven, with considerably shorter hair. He and Showalter have reconciled and since collaborated on a forthcoming Lewis & Clarke song, and a new calm now mingles with the lingering wildness in Rogai's eyes. You can see it in the superb short film, A Map of a Maze (directed by Kevin Haus, shot by cinematographer Dan Papa) made to mark the release of Triumvirate, or the recent session he recorded for Fogged Clarity in an abandoned stone chapel near his home. In each video, Rogai has the look of a man who has survived to create something special.
You can read more here:
http://www.huffingtonpost.com/ben-evans/lewis-clarke-discover-red_b_5829924.html
Also wonderful is "Let's Be Still" off the head and the heart's album of the same title. It's gorgeous and amazingly peaceful. I love it so much:
The lyrics all together:
You can get lost in the music for hours, honey,
You can get lost in a room.
We can play music for hours and hours
But the sun'll still be coming up soon
The world's just spinning
A little too fast
If things don't slow down soon we might not last.
So just for the moment, let's be still.
You can get lost in the music for hours, honey,
You can get lost in a room.
We can play music for hours and hours
But the sun'll still be coming up soon.
The world's not forgiving
Of everyone's fears.
The days turn into months, the months turn into years.
So just for the moment, let's be still
There tearing down
So we can rebuild
And all this time
Is just circles in my mind
So just for a moment,
Just one moment,
Just for a moment let's be still
Just for a moment let's be still
Just for a moment let's be still
Just for a moment let's be still.
The world's just spinning
A little too fast
If things don't slow down soon we might not last.
The world's not forgiving
Of everyone's fears.
The days turn into months the months turn into years.
So just for a moment, let's be still
Just for a moment let's be still.
Just for a moment let's be still.
Just for a moment let's be still.
Just for a moment let's be still.
Just for a moment let's be still.
Just for a moment let's be still.
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