A review in the Guardian for a new album that sounds intriguing and completely different:
here’s a glossy quality to this debut from London-based electronics whiz James Greenwood: every track has been polished to such a high lustre, and the 24-year-old’s softly-spoken vocals are delivered with such composure, that a little bit of messiness here and there wouldn’t go amiss. The pleasure, and it’s considerable, is in the detail. Greenwood has woven an intricate tapestry of bleeps, acid squelches and melancholy synths, but he’s hidden the threads: tracks such as Lucky are more layered and complex than they initially appear. It takes a lot of skill to make something this painstaking sound so smooth.
Scary or neat?:
http://www.wsj.com/articles/the-future-of-medicine-is-in-your-smartphone-1420828632
Also thanks to WSJ, I found out about this:
http://www.amazon.com/Her-Brilliant-Career-Extraordinary-Fifties-ebook/dp/B00IZP4KA8/ref=sr_1_1?ie=UTF8&qid=1421011676&sr=8-1&keywords=her+brilliant+career
and this:
Evol is love spelled backwards :) Their food is actually quite good. http://www.wsj.com/articles/stone-cold-boxes-frozen-food-is-looking-good-1420834102
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