Monday, March 29, 2010

The Broken
Slow and boring or cinematic and thought-provoking? There are two camps of response to one of the more highly regarded films in the After Dark Horrorfest series. In "The Broken" Lena Headey plays a radiologist struggling with her identity after she is in a serious automobile accident.

The movie is full of broken mirrors and doppelgangers and lots of quiet, dark moments and yet Headey does such a good job and the eerie atmosphere is so convincing you don't really care that nothing makes sense and some moments seem to drag on...for anyone who likes to overanalyze their movies, this is for you!!:)

Friday, March 26, 2010

Darwin Deez

"Radar Detector":


It's not due till April 13th, but you can hear this catchy little tune here:


http://www.myspace.com/darwindeez

I'm looking forward to hearing the entire album!:)
Head First

I'm a Goldfrapp fan so maybe I'm a little too biased in liking Head First.  Entertainment Weekly isn't that crazy about it...not to mention their little dig at Xanadu, which is to be expected given the movie seems to be either a love or hate it kind of deal. 'Course I love the soundtrack so even if they are right about this album I don't mind. :)



EW's GRADE
B

Details Release Date: Mar 23, 2010; Lead Performance: Goldfrapp

BELIEVER Goldfrapp | Goldfrapp
BELIEVER Goldfrapp
Having deserted the dozy comedown of 2008's muted Seventh Tree, U.K. duo Alison Goldfrapp and Will Gregory return to the dance floor with nine tracks of glitter-strewn glam pop. Head First sounds as if they've been commissioned 
to paint the inside of Olivia Newton-John's mind, circa 1980: all strobe-lit synths, feathery vocals, and goofy synonyms for sex. Only "Shiny and Warm," a dark-disco burner, recalls the sootier allure of their early stuff; otherwise, 
this is pure Xanadu camp. B

Spin magazine also makes a Xanadu connection:

Goldfrapp, 'Headfirst' (Mute)

Nightclub chameleon flaunts '80s shimmer.
Naural showperson that she is, Alison Goldfrapp has changed personas compulsively since her U.K. duo's 2000 debut, moving from arty cabaret balladeer to electro glamazon to the psychedelic wood nymph of 2008's Seventh Tree. But that foray into flutes and folk was brief: The title of Goldfrapp's fifth album might refer to their dive back into nightlife.

On Head First, the singer's bandmate-producer Will Gregory creates a pitch-perfect neon-lit '80s wonderland with Hi-NRG bass lines and plenty of that fat synth sound made famous by Van Halen's "Jump." The album's bright vision is established with the first three tracks, all awash in artificial ambience and an unearthly feel-good vibe. "Alive," in particular, wears its influences proudly, flaunting the shimmery squiggles that denoted muse-y magic in Xanadu. When Goldfrapp leave the roller disco, they find other retro gimmicks to play with, like the dated techno sound of "Dreaming" or the arena-rock breakdown in "I Wanna Life" (Step 1: Drop rhythm section. Step 2: Clap hands over head).

Goldfrapp also revive the vocal experimentation that has been their trademark twist on electronica. "Hunt," with its yelps woven into the background, recalls Imogen Heap, but the gorgeous minimalist closer "Voicething" -- built from carefully stacked layers of Alison's own breathy coo -- has no modern pop equivalent.




To be fair to EW, though, Goldfrapp's new single cover does have that ONJ/Xanadu look going on:






just finished reading an interesting piece in the March 22nd issue of National Review. I especially relate to this line: Yet you can't help but reflect on what must be far commoner than these joyful reunions: unwelcome e-mails from life segments long since consigned to the "best forgotten" bin...It's exactly for that reason I've tamped down on any impulse to contact someone from my very distant past...most people fall out of our lives for a reason, I suppose...and most of those people probably have no interest in hearing from us...



   No Hiding Place

My breakfast-time reading matter of choice, the New York Post, has regular stories about long-separated friends, lovers, and family members who find one another via Google. Here's one: High School Sweethearts Rekindle Romance After 50 Years. The boy and girl were parted by a ruse of their parents, who disapproved. Half a century on, he widowed, she divorced, they are exchanging vows at last.

Who can resist such a story? Yet you can't help but reflect on what must be far commoner than these joyful reunions: unwelcome e-mails from life segments long since consigned to the "best forgotten" bin. A sixty-something friend, tame and settled now but quite the boulevardier in his younger days, grumbles about girlfriends and mistresses from the remote past sending him e-mails: "Their husband dies, and first thing they do is get on the Internet looking for old flames."

To me a boulevard was never much more than a paved surface to be driven along, but even the most retiring and least courtly of us have past connections we would much rather not be reminded of, and domestic circumstances we have no wish to see disturbed. Since hearing my friend's complaint, I open my e-mail window with trepidation. So far there have been no unpleasant surprises, but I suppose it can only be a matter of time.

Most of my out-of-the-blue e-mails have actually been from classmates at my secondary school. Strange it is to see these names in the inbox. I remember them clearly: Life is never so vivid as in those teen years, though perhaps this is more true for products of the English single-sex school system than elsewhere. Cyril Connolly passed the definitive comment: "The experiences undergone by boys at the great public [i.e. private boarding] schools, their glories and disappointments, are so intense as to dominate their lives." Mine was merely a provincial day school, but it was a good one, with a pedigree going back to Henry VIII, and strove to emulate the ethos of the great schools, with some of the same results. We boys, at any rate, knew one another better than we have known anyone since, family excepted.

A name I was particularly glad to see appeared in my inbox a few days ago. We were best friends from the second form to the fourth (ages 12 to 15). Together we tested the limits of our very constrained school environment, sneaking into a low-life "out of bounds" coffee shop in the town after school, accumulating detentions for offenses against the dress code, idolizing the upper school's most egregious bohemian. (Who has since, I see, attained immortality on Wikipedia as "an English journalist, author, broadcaster and gay rights activist." He wrote an autobiography at age 23 — there's self-regard for you!)

My classmate's father was a fan of folk music and R&B, with a fine stock of records purchased by mail order from the U.S. When I saw that name in my inbox, in fact, the first thing that came to mind was Muleskinner Blues, which I heard sitting on the sofa in his family living room. How strange it sounded! — wellnigh extraterrestrial. Thus I caught some tail-end flavor of what music historian Greil Marcus called "the old, weird America" that was even then being nagged, shamed, bullied, legislated, and paved out of existence. A couple of years later we were at Sea Cadet camp together when we heard the news of Eddie Cochran's death — clearer in my memory by far than the death of Buddy Holly a year earlier.

Now here we are at the other end of life, survivors somehow in a world not much more hospitable to the bohemian temperament than that school of ours, but with many more places to escape to. And we are the same people, of course; nobody changes much. "Still feel that I'm only passing for a grownup," he remarks in that disarming way I remember, "but I won't tell if you won't." I guess I just did, but … no names, no detention.

An odder case first appeared in my inbox five years ago. He'd got to thinking, he wrote, and Googled around … Did I remember the walks we had used to take at lunchtime, talking juvenile metaphysics? Of course I did, and sent him a long reply … to which he never responded. A couple of years later the whole episode repeated: e-mail from him, my reply, nothing further. Then a few weeks ago, a third repeat. Does he just get drunk and maudlin, think of his schooldays, fire off e-mails, and then in the morning feel ashamed? No way to know.

There is no hiding place for me, in any case. I have written too much on the Internet, posted too much reminiscence on my own website. No hiding place for my friend the ex-boulevardier, either. He is an academic, and they are the easiest of all people to find —through their published papers, their college websites.

What has been true of us for ten years or so is fast becoming true of everyone, though. Last week the Stragglers attended an event at our daughter's high school, an evening of advice to get us started on the college-application process. Amongst much else, we learned that 10 percent of college admissions officers acknowledged looking at social-networking sites like Facebook when evaluating applicants, with negative consequences 40 percent of the time. No hiding place for the kids, either, then, since they all seem to patronize these sites.

I used to worry that my chauffeured, play-dated kids might never understand true liberty and independence. Now here is a second worry: that they will never know real privacy. Like the people in Zamyatin's dystopian novel We, whose houses are made of glass so that unauthorized activities can be observed, their lives will be open to anyone who cares to inspect them — with the twist, of course, that the exposure is voluntary on their part. With closed-circuit TV cameras, and the "data miners" scrutinizing their every candy purchase, what will they know of secrecy, silence, self-restraint?

I am glad to have connected with old friends; I am happy for those long-separated sweethearts; I only wonder if these may be slight and incidental benefits from a phenomenon that will soon stifle Privacy — Liberty's quieter, more studious twin brother.

Thursday, March 25, 2010


The Nation

National ReviewEven though I'm a flaming liberal, I like to read both perspectives when it comes to politics, so that means The Nation AND National Review...but this recent item in The Nation about the Texas Board of Education's changes to the school system's curriculum has me seeing red....unbelievable stuff and very scary that it's going to happen; Conservatives often foam at the mouth about Liberal bias and yet isn't this what they're doing...again: unfrickingbelievable!!:



http://www.thenation.com/doc/20100405/foner (link to article)



I shudder at the thought of how the lesson on Phyllis Schlafly and the Moral Majority would be taught (more like propaganda, I bet)...just as some of the far far right do today these people tried to excuse their hateful views by calling them 'traditional values.'...With an agenda like the one the Texas Board of Education wants, would there be any room for truth and fairness? I am so glad I live in a state with a more realistic sense of what learning is!!