Thursday, February 25, 2010

LA LA LA I CAN'T HEAR YOU! LA LA LA Youth T-Shirt (for Kids) ASH GREY LARGE
Some memories remain open wounds, even if they are really (in the long run) ridiculously unimportant ones from an equally ridiculous time in your past. You don't know they're still open until you hear an unexpected song in the supermarket or catch a glimpse of someone you had hoped you'd never see again as long as you lived...

Of course there are also those memories that come from out of nowhere without provocation or warning...somehow those are the worst ones...and like I do with other unwanted things rattling around inside my head, I just turn up the volume on my mp3 player and say, "I can't hear you!"

I know Faulkner said, "The past is never dead. It's not even past!" But I disagree...we have to kill those pesky memories and show them who's boss once and for all. It's how we survive best.

Tuesday, February 23, 2010

Switched-On Bach

I found Switched-On Bach at the library today and brought it home with me and I'm surprised at how much I hate it...I love Bach, but I guess I don't like the Moog Synthesizer...I've often hated things upon first listen, only to discover later I just didn't give them enough time...maybe that'll be the case with this?

"Air on The G String" is my favorite Bach, but this just doesn't sound like the G String I love....apparently, though, this album (first released in 1968) is quite popular in the classical music community and held in high regard...what am I missing?


for more info on the album:

http://en.wikipedia.org/wiki/Switched-On_Bach
What's A Girl To Do?
I listen to this album (and the follow-up Two Suns) all the time. Singer Natasha Khan has said in interviews that she wants to "convey the fine line between passion and violence" in her music...I don't think she's talking about guns or knives or fighting, but about the passion behind emotions that cause us to do horrible things we later regret...

My favorite song of hers, though, has very little to do with passion OR violence. Instead, it's about the opposite...indifference or more appropriately...what happens when we lose passion. In the somber and very surreal sounding "What's A Girl To Do" Khan is singing of how much she still wants to love. But the feelings have gone and to where she has no idea. I don't think any song has ever so beautifully captured the pain of falling OUT of love with someone else.

And while the passion is gone...all the things that takes its place (guilt, sadness that the person who once was your world now sparks so little in you) are crippling.


...
As for the rest of the album, one word can sum it up: wow!! Every song is a stunner and her cover of Bruce Springsteen's "I'm On Fire" is a revelation!!

Monday, February 22, 2010

A New England Winter

I'm determined to sell someone else besides me on Henry James before I die. It's not that he doesn't already have his fans (though probably not in the same number as Dickens or Austen) or that I'm the first person to ever hear of him. And I'll admit it's quite easy to make fun of his long-winded ways and his serious side profiles (he always is so stern in any picture I've ever seen of him.) But if you can wade through some of his runaway train sentences (which actually are quite lovely at times) you'll can find surprisingly 'modern' stuff like this:



“Oh no, that is not necessary,” Miss Daintry rejoined, with more exactness. “There are one or two, however, who always appreciate a pretty speech.” She added in an instant: “Do you remember Mrs Mesh?”
“Mrs Mesh?”   Florimond apparently did not remember.

“The wife of Donald Mesh; your grandfathers were first cousins. I don’t mean her grandfather, but her husband’s. If you don’t remember her, I suppose he married her after you went away.”

“I remember Donald; but I never knew he was a relation. He was single then, I think.”

“Well, he’s double now,” said Miss Daintry; “he’s triple, I may say, for there are two ladies in the house.”

“If you mean he’s a polygamist – are there Mormons even here?” Florimond, leaning back in his chair, with his elbow on the arm, and twisting with his gloved fingers the point of a small fair moustache, did not appear to have been arrested by this account of Mr Mesh’s household; for he almost immediately asked, in a large, detached way – “Are there any nice women here?”

“It depends on what you mean by nice women; there are some very sharp ones.”

“Oh, I don’t like sharp ones,” Florimond remarked, in a tone which made his aunt long to throw her sofa-cushion at his head. “Are there any pretty ones?”

She looked at him a moment, hesitating. “Rachel Torrance is pretty, in a strange, unusual way – black hair and blue eyes, a serpentine figure, old coins in her tresses; that sort of thing.”

“I have seen a good deal of that sort of thing,” said Florimond, abstractedly.

I especially like the part about throwing the sofa-cushion...who knew people in polite society had such thoughts back then? And apparently it was just as hard for single men and women as it is now:)

I remember when I first read James back in college...Washington Square was the first work of his I ever read and it touched me profoundly...and through all his (sometimes) dry way of putting things, I saw that he could see right through the veneer of proper society and heavy clothing to the heart that beats in anyone who has ever been manipulated or spurned in the name of love...or lack of it.
Buildings & Mountains (Album Version)
"Buildings & Mountains" by The Republic Tigers is one of the most amazing songs I've ever heard...check out the video:


http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=33300019

I couldn't find their video through You Tube, but this IS a safe link! I love the very end of the video...mystical and in keeping with the spirit of the song...not a flashy video at all, but that's the point!:)