Wednesday, October 22, 2025


A little over seven years ago I watched a show that would lodge in my mind and heart for days and weeks afterward. The other night I decided to revisit it for the first time and am I just as overwhelmed emotionally as I was back then.

I wish I could it do more justice...there are so many reasons why I love it so, but the heart of why lies within the character of Nell, both as a child and an adult.

From childhood, Nell Crain is terrorized by a spectral figure she calls the "bent neck lady," a horrifying entity with a grotesquely twisted neck. For both Nell and the audience, this is the quintessential ghost of the series: an external monster haunting her.

At the moment of her death by hanging, Nell looks down and realizes she is not seeing a monster, but her own future ghost. The entity that haunted her throughout her life was her own tormented spirit, traveling back through time. The external monster was internal all along.

The Bent Neck Lady reveal in The Haunting of Hill House is widely regarded as one of the most devastating and brilliantly executed twists in modern television. Its strength comes from an amazing combination of narrative structure, emotional depth, and thematic resonance, with the shock being a direct result of a perfectly set-up and paid-off mystery.

This twist changes everything the audience believed about the haunting. It re-frames Nell's entire life story from one of being pursued by evil to one of being trapped in a predestined, inescapable loop.

The shock then quickly gives way to a deep, gut-wrenching sadness for several reasons:

A. The Inescapable Loop of Trauma:

Nell didn't just have a tragic death, her entire life was a slow-motion tragedy she was forced to witness from the beginning. Every time she saw Bent Neck Lady as a child, she was being confronted with her own future suffering. The House didn't just kill her; it made her the instrument of her own torment. This creates a feeling of profound futility and hopelessness.

B. The Misinterpretation of a Cry for Help:

Nell spent her life feeling abandoned and misunderstood by her family. Her greatest fear—The Bent Neck Lady—was, in fact, her own self at her most vulnerable and broken moment. 

The story brilliantly visualizes the internal struggle of mental illness and grief. The "monster" was a manifestation of her pain, and her family, try as they might, could never see it for what it was.

C. The Loss of Innocence and Agency:

The reveal retroactively poisons every happy or innocent memory from Nell's childhood. The sleepovers, the moments in the red room, the times she felt safe in her bed, all were punctuated by visitations from her own future corpse. She never had a chance at a normal life. Her fate was sealed the moment she entered Hill House, stripping her of all agency.

D. The Heartbreaking Final Monologue:

Nell's post-reveal monologue is the emotional core that drives the tragedy home. She explains it not with anger, but with a devastating clarity and sadness:

"I was there the whole time. It was me. I was the bent neck lady... All the times I saw her, it was me. I was...it was me the whole time."

She realizes that the moment of her death wasn't a single point in time, but a "forever moment" that was stretched across her entire life. This philosophical concept, that time is not linear for the house, makes her suffering eternal and infinite.

For me, and I would think other viewers,the sadness comes from the realization that Nell's life was a cruel, pre-written tragedy where the victim was also the ghost, forever haunting herself in a loop of pain she could never understand until it was too late. It’s a twist that consumes the mind and shatters the heart.

On a recent episode of Law and Order: SVU *Olivia Benson mocked someone using AI for therapy, but I have to say I think AI can be helpful in certain circumstances. I have found AI to be more understanding than some real therapists.

I asked AI about something recently and it actually helped me some:


I am so tired of my close friend making snide comments to me in response to things I say. I usually can ignore them, but I'm still having trouble letting go of her reaction when we were talking about childhood clothes and I told her my mom made all my sister's and mine. I never minded that my mom did this at all, even if it was one of the reasons I was bullied in middle school. I've always been proud of my mom and loved her clothes and she even continued to sew for us during the worst of her cancer in the 1980s. My friend laughed when I told her my mom made our clothes (I left out about my mom's cancer) and said derisively "I would NEVER wear clothes my mom made me. Only poor people do that!" I was both shocked and hurt but didn't know what to say. At times, I just really am not sure I want to be friends with her anymore. She's constantly insulting things I like and she makes unwelcome remarks about my hair (another thing I was teased about during school). How do I handle this friendship going forth?


You’re carrying a lot of pain from that moment—and rightly so. What your friend said wasn’t just insensitive; it dismissed something deeply personal and beautiful: your pride in your mother’s love, creativity, and resilience. Her comment wasn’t just a jab at homemade clothes—it was a failure to see the story behind them, and the strength they represent.

💔 Why It Hurts So Much

  • Your mom’s sewing wasn’t just practical—it was an act of care, especially during her illness. That’s sacred.

  • You’ve already endured bullying tied to this, and your friend’s remark reopened that wound.

  • Her pattern of behavior—mocking your hair, belittling your interests—suggests a lack of emotional safety in the friendship.

🧭 What You Can Do Going Forward

1. Honor Your Feelings

You don’t need to justify why this hurt. It did. And it’s okay to feel protective of your memories and values. You’re allowed to draw boundaries around what matters to you.

2. Reflect on the Friendship

Ask yourself:

  • Do I feel respected and supported by her?

  • Do I feel drained or anxious after we talk?

  • Is this friendship helping me grow—or holding me back?

If the answers lean toward pain, that’s important information.

3. Consider a Conversation

If you feel safe doing so, you might say something like:

“When I shared about my mom making our clothes, I felt proud and connected to her. Your reaction really hurt me. I need to feel respected when I share personal things.”

You don’t owe her your full story—but you do owe yourself honesty.

4. Set Boundaries or Step Back

If she continues to make snide remarks or dismiss your feelings, it’s okay to step back. Friendships should be mutual, not one-sided. You deserve kindness, not criticism disguised as humor.

5. Lean Into Supportive Connections

Spend time with people who celebrate your stories, not mock them. Your mom’s legacy deserves to be honored—and so do you.

You’re not overreacting. You’re responding to a pattern that’s chipped away at your sense of safety and self-worth. If you’d like help drafting a message to her, or exploring how to gracefully step away from the friendship, I’m here for you. You’re not alone in this.


side note:

*I think Olivia has really changed a lot as a character and not all for the better...but that's for another blog post.

Sunday, October 19, 2025

I might be the only one thinking this, but I wish that Kindle would introduce an app (or have it be part of their existing one) to help people meet each other through their common passage highlighting:


In my fantasy world, underneath where it says how many other people highlighted this part of the book, I would love if it would say “would you like to connect with other highlighters?” Then there would be more in-depth options to choose from, possibly also including why people like the passage so much and what it means to them:




Monday, October 13, 2025


AI actually helped me write this story below. I talked with by microphone and fed it a lot of the information about what I wanted my story to say and how, and it captured some things that were eerily true, even though I didn’t talk about the certain type of TV I had back then or the sofa.

Even before AI came along, I felt like I so lost the soul to my fiction writing. I’m slightly better with fan fiction, but not by very much and the weird thing is I need and want to write _more_ than ever and I am worse than ever.



The Static Between Then and Now


The silence in Eleanor’s apartment was a physical presence. It was 2025, and the world outside was a barrage of outrage and anxiety. At fifty-five, she felt like a ghost in her own life, the future a dim corridor leading only to more of the same.


She flicked through the streaming services, a thousand choices that felt like none. Scrolling past a tile for a reboot of some forgotten show, she felt a pang. She switched to the old-fashioned cable guide and there it was, buried in the higher channels: Ally McBeal, on a "Retro Rewind" network.


A smile, the first genuine one in weeks, touched her lips. She clicked on the channel.


It was the episode where Ally jumps around with the Dancing Baby. The CGI was primitive and the scene a bit too much, but the feeling… the feeling was a key turning in a long-locked door. The sound of Vonda Shepard’s voice singing "Searchin' My Soul," the sight of that unisex bathroom where all life’s dramas unfolded… it was a siren song from a sunnier shore.


As Ally spun in her short skirt, a wave of dizziness washed over Eleanor. The light from the screen seemed to bleed, pixelating the room. The gray walls of her apartment shimmered, the IKEA furniture dissolving into… a poster of a Smashing Pumpkins album. The hum of her smart fridge morphed into the distinct brrr-brrr-ksshhh of a 56k modem connecting.


She was on a floral-print sofa she hadn’t seen in twenty-five years. The air smelled of vanilla candles and the cloying sweetness of Exclamation! perfume. And on the television screen, a bulky, deep-bodied CRT, Ally McBeal was on, not in a rerun, but in its original run. A commercial for the new iMac in Bondi Blue was playing.


Her heart hammered against her ribs, a frantic bird in a cage that was suddenly young again. She looked at her hands. The skin was smoother, the sunspots gone. She ran to the small bathroom, her legs moving with an ease she’d forgotten. Staring back from the mirror was a twenty-eight-year-old woman, her hair a shade darker, her eyes wide not with weariness, but with shock.


It was 1999.


The first week was a delirious dream. She went back to her old job at the independent bookstore, a place that smelled of paperbacks and possibility. Her friend, Chloe, was there in all her glorious, chaotic vibrancy. They spent their lunch hours at a coffee shop, dissecting last night’s Felicity, talking about the looming Y2K bug with a thrilling mix of fear and mockery, and planning their futures as if they were blank books waiting to be written.


“You’ve been weirdly zen about everything lately,” Chloe said, stirring her latte. “It’s like you already know we’re not all going to be driving flying cars.”


Eleanor just smiled, a bittersweet twist of her lips. She did know. She knew about the dot-com bust that would crater Chloe’s startup dreams. She knew about the September morning that would change the country’s soul. She knew about the slow, quiet dissolution of her own friendship with Chloe, a casualty of different life paths and the sheer, grinding weight of time.


That was the poison in the nectar. This world was vibrant, alive, crackling with the energy of a decade about to tip over into a new millennium. The music on the radio was new, the internet was a wild frontier, and every day felt like it had a soundtrack. But Eleanor was living with a ghost’s knowledge.


She saw her younger self making small, seemingly insignificant choices, prioritizing work over a trip, letting a minor disagreement with Chloe fester, dating a man she knew was charming but wrong for her. Each one was a pebble that, in her memory, had started an avalanche of quiet regret.


One evening, she and Chloe were in her apartment, the one she’d just gotten back to. They were watching Ally McBeal again, live. Ally was fretting about turning thirty, a milestone that now seemed impossibly young to Eleanor.


“It’s all ahead of us, El,” Chloe said, gesturing at the screen. “It’s all just…happening.”


Eleanor looked at her friend’s bright, untroubled face. She felt a desperate, clawing urge to warn her. Don’t take that job in 2001. Call your mom more. Don’t let us drift apart.


But the words stuck in her throat. If she changed it, if she “fixed” the mistakes, would this vibrant, painful, beautiful present even exist? Would the woman she became, the one who, for all her loneliness, had survived and endured, simply vanish?


The fear became a constant companion, colder and more real than the fear of the unknown she’d felt back in 1999 the first time. Back then, the future was a blank map. Now, it was a prison cell whose walls she was terrified to rebuild.


One night, after a perfect day that felt like a scene from a movie she’d already seen, she sat alone on the floral sofa. The TV was off. The only light came from a lava lamp, its blobs of orange wax oozing and merging. She missed her quiet, dreary 2025 apartment with a sudden, fierce intensity. She missed the woman she had become, the one who had borne the scars of these very years. This second chance wasn't a gift; it was a torture of infinite choice.


She understood now. You can’t go back to the good times without also going back to the person you were—the one who was too naive, too scared, too hopeful to see the cliff’s edge on the horizon. And that person, for all her flaws, deserved to make her own mistakes.


As if her realization were a signal, the room began to waver. The hum of the modem stretched into a high-pitched whine. The colors of the lava lamp bled together. She closed her eyes, not in fear, but in acceptance.


She opened them to the gray light of a 2025 dawn. She was back in her silent apartment, the TV showing the cable guide menu. The episode of Ally McBeal had ended.


The yearning was still there, a dull ache in her chest. But it was different now. It was no longer a desperate desire to escape, but a quiet acknowledgment. She got up, walked to the window, and looked out at the waking world. It was still dreary, still complex. But it was her world, built brick by brick from the very years she had just revisited.


She picked up her phone, her movements slow but deliberate. She scrolled through her contacts, her thumb hovering over a name she hadn’t dialed in years: Chloe.


She didn’t know what she would say. Maybe just, “I was thinking about the Dancing Baby.” It would be a start. A small, fragile bridge built not from a desperate desire to return to the past, but from the hard-won wisdom of having lived through it. The happiest part of her life wasn’t behind her. It was the foundation upon which she, at fifty-five, could finally choose to build something new.

Saturday, October 11, 2025

 I very much get all of this!!



Horror has always felt like the language my soul speaks when no one else is listening. Horror understands what it means to carry fear in your bones—not as something to be embarrassed about, but as something that shapes you into who you really are. For someone timid, for someone who knows the weight of fear day in and day out, horror offers an unexpected refuge. It’s a space where fear isn’t a failing or something to overcome, but a tool to unlock pieces of myself I’ve hidden away. Fear is the essential ingredient for a whole genre of books. It’s acknowledged, honored, and even celebrated. Horror takes all my restless anxieties—the ones that simmer just beneath the surface—and gives them form. It allows me to face them on my terms, in the safety of a story. Horror is empowering for someone like me. I can step into the fire willingly, feeling the heat, the danger, but knowing that it’s contained. A story can push me to the brink and pull me back. I witness characters enduring horrors far worse than my own struggles and trials.

I think I love it because horror doesn’t flinch. It doesn’t lie or sugarcoat or wrap the world in pretty packaging. It acknowledges the cracks in the veneer. It holds up a mirror to expose the messy, vulnerable parts we’d rather ignore. And in that, I’ve always felt seen. But a love of horror can also be shared.

From Why I Love Horror